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Voice Culture in Karnātic Music – Basic

Voice Culture in Karnātic Music – Basic What comes to mind when you hear the voice of MS? Yesudas? Muhammad Rafi? Adele? These artists were blessed with a voice, heavenly and everything right about it: the pitch, amplitude, flexibility, voice control, bright, breezy, resonance and more. Even if an individual is blessed by nature with the Read more [...]

Gīthams in Karnātic Music

Gīthams in Karnātic Music A beginner starts with Sarali, Janti, and Alankara; at the stage the student gets a fair mastery of the seven notes and a voice flexibility to sing the basic notes; ascending, descending, doublets, different speeds. These are much like the alphabets we learn in kinder garden. Geetam is the simplest Read more [...]

Rhythm and Melody in Karnātic Music

Rhythm and Melody in Karnātic Music What is music? Is it the sound between the beats or the silence? It is a combination and what makes anything musical is its adherence to a rhythm. It is like the heart beat of the human being. Rhythm represents nothing but time which is measured in terms of beats. Without a conscious effort, many a Read more [...]

Swarasthhāna in Karnātic Music – Advanced

Swarasthhāna in Karnātic Music – Advanced Swarasthana basic gives a firsthand experience of Swara (Note), Raga (musical scale), Tala (Rhythm). Swarasthana Advanced takes you down further: you’re convinced that Carnatic music suits you and wish to know more than alphabets. We introduce 16 Swaras (Notes), 72 Melakartas, Gamakas and much more Read more [...]

Theories in Karnātic Music – Intermediate

Theories in Karnātic Music – Intermediate Theories in Karnatic Music for Intermediate level are an extension of the basic course. It is standalone course. Or it is a stepped up version for any student who opted for the basic course. The rudiments of Carnatic style is covered to a greater depth. The Swaravalis, Jhantis, Alankaras now progress Read more [...]

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